



LILITH & LUKE PIPER presents:
INNER LANDSCAPE
Midsummer Solstice Celebration
Pilton Tithe Barn, Somerset
EXHIBITION RUNS:
Thursday June 18th — Wednesday June 24th
Open 11am to 6pm daily
FREE SOLSTICE EVENTS
An open invitation to experience the Pipers’ artwork brought to life through Music & Ritual within one of Somerset’s most atmospheric historic spaces in the lead up to the Solstice.
Thursday 18th
https://buytickets.at/treesonics/2230470
Saturday 20th
https://buytickets.at/treesonics/2242486


THE VENUE
Situated on the Michael Line, with Glastonbury Tor visible in the distance, the exhibition unfolds inside the historic barn restored by Sir Michael Eavis. Once struck by lightning and left in ruins, the building stands as a site of reawakening.
The Pilton Tithe Barn sits at the heart of the Vale of Avalon overlooking King’s Hill and the sacred grounds of Glastonbury Festival. Originally built in the 14th century to store produce for Glastonbury Abbey, the barn was restored by Sir Michael Eavis and reopened in 2005 following decades of ruin.
Its commanding position within the Somerset landscape makes it a uniquely resonant setting for INNER LANDSCAPE, an exhibition deeply rooted in ideas of memory, land, ancestry and belonging.

Luke and Lilith create work inspired by the landscape in which they live and work, while also sharing their practice collaboratively through installations and music, which in turn feed back into the artwork itself.
At its centre is a monumental oak tree sculpture, first created for one of the Pipers’ Glastonbury Festival stages, surrounded by sound works and live performance from musicians within the TREE SONICS collective.



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The 8 elements
April 2020
Mixed media on linen.
Each hanging 300cm high X 76cm wide
Goddess Triptych
2020
Pastel and ink with watercolour and gouache on paper
Each panel 300 X 55cm
Midsummer Passion Series
Dreaming of midsummer madness, painting in the hot of the summer day, what else could I do in this strange heat? Where is it coming from?
July 2021
Dye and ink on cotton duck canvas
Each panel 265 X 179cms
These wall hangings are a series of figurative works that represent the eight elements from the 2,500 year old Yi Jing or I Ching, translated as the 'Book of Changes', which is an ancient Chinese work of divination and prophesy.
The elements are here depicted as a group of eight hermaphroditic figures who converse with each other, ‘holding the space’. In old folklore everything is named in the plant kingdom and has a sacred meaning/symbol.
The atmosphere is enlivened by their threads of fragmented melodies which intertwine with the breeze to form a fluid elemental tapestry unified in its richness.
Each figure emerges within this tapestry to form its own unique elemental identity. The intricacies are centred within their expressions and combined with their personal symbols.
There is tension between the losing and finding of identity within their own forms and within the broader tapestry which connects them.
Can we possess identity or are we defined by our connections to each other and the elements which enfold us?
Can every spontaneous being possess identity, whether it be an element, a movement or a tension between holding and releasing?
“These were inspired from a series of small etchings I made, demonstrating a categorical and captured position of the elements. Within the loose and flowing linens, I portray them as figurative feelings.
I enjoy the precision and the fear of empty space that flows out of me in this rigid process of etching. This contrasts well with my fluid paintings of long bellowing figures that extend like flowing rivers, their souls extend and roam free but their bodies become trapped within the confinement of my etching plates. Similar to the stone circles, figures dancing in the stones, legend says they come alive at night”.
Banners around a hall. You are at the banquet of consultation, this remarkable deity offering you wisdom and insight into the consultations and coincidences of your life. They are the decision makers. As individuals they have intricacies that attend to different questions and affirmations, each play with the breeze individually. We sit as the wind stirs their branches in awe and wonder in the tumult and agitation of the tides. They have the freedom to fall and form into whatever one the viewer may desire




























