My work is an act of attunement. Through gesture, drawing, and performance, I don’t aim to simply represent landscape—I seek to evoke the poetics embedded within it. I am drawn to the interplay of geology, weather, and biology—how they shape the patterns, forms, and rhythms of a place. Working on large-scale paper, often handmade or sourced from around the world—bamboo, elephant dung, rice, lokta—I respond spontaneously and intuitively to the land. What might the sand say, the rocks, the clouds, or the water? Perhaps they are all speaking at once to form what we call ‘landscape.’

I am inspired by wild and sacred places—from the mythic resonance of Cornwall and the Burren’s ancient limestone pavements, to the wind-sculpted gorse of Pembrokeshire and the towering, timeless peaks of the Swiss Alps. Each environment holds a kind of deep time and animacy, a presence I seek to honour in my work.

My practice is ultimately one of listening—to land, to elements, to story—and creating works that carry their resonance into shared spaces of reflection and renewal.