LILITH & LUKE PIPER presents:
INNER LANDSCAPE
Midsummer Solstice Celebration
Pilton Tithe Barn, Somerset
EXHIBITION RUNS:
Thursday June 18th — Wednesday June 24th
Open 11am to 6pm daily
FREE SOLSTICE EVENTS
An open invitation to experience the Pipers’ artwork brought to life through Music & Ritual within one of Somerset’s most atmospheric historic spaces in the lead up to the Solstice.
Thursday 18th
https://buytickets.at/treesonics/2230470
Saturday 20th
https://buytickets.at/treesonics/2242486
THE VENUE
Situated on the Michael Line, with Glastonbury Tor visible in the distance, the exhibition unfolds inside the historic barn restored by Sir Michael Eavis. Once struck by lightning and left in ruins, the building stands as a site of reawakening.
The Pilton Tithe Barn sits at the heart of the Vale of Avalon overlooking King’s Hill and the sacred grounds of Glastonbury Festival. Originally built in the 14th century to store produce for Glastonbury Abbey, the barn was restored by Sir Michael Eavis and reopened in 2005 following decades of ruin.
Its commanding position within the Somerset landscape makes it a uniquely resonant setting for INNER LANDSCAPE, an exhibition deeply rooted in ideas of memory, land, ancestry and belonging.
Luke and Lilith create work inspired by the landscape in which they live and work, while also sharing their practice collaboratively through installations and music, which in turn feed back into the artwork itself.
At its centre is a monumental oak tree sculpture, first created for one of the Pipers’ Glastonbury Festival stages, surrounded by sound works and live performance from musicians within the TREE SONICS collective.
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I work across painting, performance, land art, print, photography and film, each grounded in a reverence for place. Live performance is central to my work; as the creative producer and programmer of the Tree Stage in Glastonbury Festival’s Woodsies area. I explore the ceremonial power of gathering in a specific place and time to share stories, and cultivate more attentive, reciprocal relationships with the natural world.
I work iteratively, building a relationship with the landscape that moves from observation and sensory immersion outdoors to abstraction and improvisation in the studio.